top of page

The best Olympic logos of all time


Olympic logo

(Image credit: International Olympic Committee)


So what are the best and most memorable Olympic logos - seen by millions?


With the Paris Olympic Games just around the corner I've looked at previous Olympic logos as they are often some of the most memorable parts of the world's greatest sporting event, but what makes them memorable? Whether it's iconic minimalism or vibrant, gestural designs, each Olympic logo has captured global attention in unique ways.


Designing a logo for the Olympic Games is one of the toughest branding challenges. It must embody the spirit of the event and the Olympic ideals, while also representing the host city, balancing national heritage with modernity. The logo needs to be versatile enough for various applications, from signage to digital screens, and navigate the complex web of stakeholders and committees. Despite these demands, many Olympic logos have become iconic. Here are some notable logos.


Helsinki 1952

Helsinki 1952 olympic logo

The 1952 Helsinki logo marks a milestone in modern Olympic design. Featuring the Olympic Stadium tower, it combines minimal typography and flat imagery in a single-colour design, setting a new standard for future logos.


 

Tokyo 1964

Designed by Yusaku Kamekura

Tokyo 1964 olympic logo

(Image credit: Yusaku Kamekura)


The Tokyo 1964 logo is a paragon of elegance and harmony. Combining Japan's red sun symbol with the Olympic rings in gold, it features bold block letters spelling "Tokyo 1964". The intricate interleaving of the rings creates a compact and balanced icon. I would have prefered a little more space between the red circle and the olympic rings so that it was better balanced.


 

Mexico City 1968

Designed by Lance Wyman


Mexico 1968 olympic logo

Tasked with avoiding stereotypes, the team led by Lance Wyman created a stunning logotype that blends Mexican folk art with 1960s pop art. The design expands the geometry of the five Olympic rings to form the number ’68’, brilliantly merging heritage and modernity (if a little hard to see).


 

Munich 1972

Designed by Otl Aicher

Munich 1972 olympic logo

The Munich 1972 logo embraces modernist geometry, featuring a stylised sun with a spiral effect, representing global unity and hope. Its sleek design avoids specific national references, reflecting the broader Olympic spirit, unusual for an olympic logo, it hasn't incorporated the 5 interlocking cirles.


 

Moscow 1980

Designed by Vladimir Arsentyev

Moscow 1980 olympic logo

The 1980 Moscow logo is a powerful blend of Soviet and Olympic symbolism. The red star above the lines representing the Kremlin creates a strong, modern icon, projecting the USSR's strength during the Cold War.


 

Los Angeles 1984

Designed by Robert Miles Runyan & Associates


LA 1984 olympic logo

Patriotic and dynamic, the 1984 Los Angeles logo features speeding stars in red, white, and blue. The interlocking stars echo the Olympic rings, subtly connecting US values with the Olympic movement.


 

Sydney 2000

Designed by Michael Bryce


Sydney 2000 olympic logo

(Image credit: International Olympic Committee)


The Sydney 2000 logo captures the vibrancy and energy of the games. Utilising the early 2000s script text style, it incorporates the shapes of a boomerang and the sun, forming a figure in motion. The design hints at the Sydney Opera House, tying local culture to the Olympic spirit.


 

Athens 2004

Designed by Wolff Olins and Red Design

Athens 2004 olympic logo

Returning to the birthplace of the modern Olympics, the 2004 Athens logo focuses on Greece’s heritage. The olive wreath, a traditional prize for Olympic winners, symbolises peace and sporting endeavor, even if it's a bit of a cliche. The hand-painted look and Greece's national colors, along with a watercolored background, evoke the surrounding seas.


 

Beijing 2008

Designed by Guo Chunning


Beijing 2008 olympic logo

The Beijing 2008 logo is rich with Chinese pride. Featuring a traditional red Chinese seal and a dynamic figure that also represents the word ‘jing’ (capital), it combines traditional and modern elements, inviting the world to share in China’s culture.


 

London 2012

Designed by Wolff Olins

London 2012 olympic logo

Bold and unconventional, the London 2012 logo by Wolff Olins represents the city's edgy and forward-thinking nature. Despite initial criticism, its distinctiveness stands out in Olympic history. I remember not liking the logo when I first saw it, and that feeling hasnt changed, although that fact makes it memorable.


 

Sochi 2014

Sochi 2014 olympic logo

The Sochi 2014 logo is a logotype with no pictorial element other than the Olympic rings. Its URL format (sochi.ru) gives a clue to the location. The mirrored 'hi' and '14' create a balanced design in a very simple way.


 

Rio 2016

Designed by Tatil

Rio 2016 Olympic logo

The Rio 2016 logo, with its stretchy 3D design, conveys themes of unity and Brazilian identity. Inspired by Sugarloaf Mountain, the colors of sun, sea, and forest, and the image of people holding hands, it captures the essence of the games.


 

Tokyo 2020

Designed by Asao Tokolo

Tokyo 2020 olympic logo

(Image credit: Asao Tokolo)


After a plagiarism scandal, the Tokyo 2020 logo was redesigned by Asao Tokolo. The indigo-blue harmonised chequered emblem uses a traditional Japanese pattern, symbolising unity among different cultures and ways of thinking.


 

Paris 2024

Paris 2024 Olympic logo

The Paris 2024 logo merges the Gold medal, the Olympic torch and the visage of Marianne, representing the French Republic - all in a very stylish way. Despite its controversial reception, the design’s clever optical illusion and national symbolism make it unforgettable and I really like it. Often said to resemble the 'Rachel haircut' from Friends, I think it looks very Parisian and so hits the mark.



These Olympic logos demonstrate the creativity and diversity in branding for the games, each leaving a lasting impression that goes beyond the sporting events they represent. Viewed globally by millions, these logos must strike a delicate balance, ensuring they do not offend any cultures while remaining distinctive and memorable.








Comments


bottom of page